Storied Experiences: Investing in Culture

This talk presents a new design perspective of time-based interactivity and expression, which Lee calls “Storied Experiences”. This discourse referred to as “storiedness”, explores how objects-and-systems no longer serve as functional tools that mediate human goals and expression, but can be a source for reflection and appreciation. Storiedness provides foundation that can shift their stance from being a resource for information and activity to become a source for understanding and expectation. Storiedness transforms the stark, experiential attitude between person-to-data points/teller-to-listener to an audience-to-audience two-way partnership. It requires that the role of the audience to be both a creator and listener in their engagement, where the re-play value for each experience becomes desirable.

In designing storied experiences, Lee uses examples from her research to show how situating point-of-view, experiential compression of time, and the privileging of extraordinary over ordinary events within a collection of records are critical. An extensive example, the “Audio Time-Lapse Bench”, uses story construction methods to refigure a recorded history to project an object-centric perspective on its everyday history (an episodic narrative of the bench). The object is instrumented with sensors to continuously capture the passage of time in an audio stream. This stream is parsed in order to highlight extraordinary events from the perspective of the object. These events are then arranged such that the object can have everyday expression. Happenstance and implicit points-of-view are displayed to humans and/or other objects in a timely and aesthetically engaging way; Lee calls this “audio time-lapse.” The audio time-lapse provides a temporal compression of the historical stream that adds aesthetic and cultural value in exchanging story.

With the completion of these studies, Lee is motivated that it was all for the point of leveraging this exploration in various research disciplines that underlie interactivity and expression. Objects, devices, and services can be used to manage the exchange of story with aesthetic and cultural value.

Speaker Details

Hyun-Yeul Lee is a post-doctoral fellow at the MIT Media Laboratory, and received her SM and PhD in Media Arts & Sciences from MIT in 2002 and most recently in January 2007. Hyun is a member of the Media Fabrics Group (formerly known as the Interactive Cinema Group) and previously with the Sociable Media Group. Her interests are about intersecting people, stories, and design to bring about an appreciative value of how we may live; in particular she is interested in how history/persistence of time can reveal life facets and meaning. Her work has been published and exhibited at venues including ACM, IEEE, CSCW, The Kitchen, Artists Space, and the Montreal International Festival of Films on Art; her art installation titled, “Alternative Autobiographies” is part of the permanent collection in the Rare Books & Manuscripts Library at Ohio State University. In addition to her doctoral research, she holds an MDes in Interaction Design from Carnegie Mellon University and a BID, BFA in Industrial Design from Rhode Island School of Design.

Date:
Speakers:
Hyun-Yeul Lee
Affiliation:
MIT
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